I'm happy to finally open the doors to theredfeather.se. The Red Feather began quite simply as a home for many of my own creative rights. After years of working across music, film, literature and other forms of storytelling, the catalogue had grown considerably. There were recordings, compositions, books, screenplays, films, plays and story worlds, sometimes closely connected and sometimes completely independent from one another. They needed somewhere to live, but also somewh

One thing has become increasingly clear to me during the first half of 2026. The most meaningful work rarely looks spectacular while you're doing it. Much of what has occupied my days hasn't been premieres or red carpets. Instead, it has been meetings, strategy, governance, writing, revisions, difficult decisions, investor material, story development and countless conversations about where we are actually heading. Looking back, I realize that's exactly what this period needed

By Simon Kölle 2025 began with a question I could not let go of. What happens when we stop pretending and start seeing things as they really are? That question shaped my study of Swedish cinema, my public writing, and the way we structured every creative and business decision this year. It guided FrameSage’s launch, the reboot of Tulpa Creatives, and even the way I returned to composing music. Not just as a service, but as something essential. I will never stop being a film c

For years, fragments of music lingered with me like derelict ships on the edge of memory — sketches, forgotten sessions, transmissions...

I’m excited to share that my new album, Themes Retold Vol. 2 , is now released. It’s the follow-up to last year’s Themes Retold Vol. 1...

2024 has been a transformative and rewarding year, filled with creativity, collaboration, and significant professional milestones. From...

These are my professional endeavours in 2023 In 2023, I had a dynamic year as CEO of Tulpa Creatives, working on six films and an...

Here is some information from some of the recent events... Filmbranschpodden Since the start of the Swedish Podcast Filmbranschpodden it...

2022 was an eventful year where my two main areas of work continue to consist of composing music for moving images and producing film....

It's with pleasure that I present a recently released Single (25th of March) on most digital platforms. The single comprises two tracks...

It’s now official that I will compose the score for the film “Call of the Unseen”. It’s a Swedish production with a cast from different...

Dystopia will be released on VIAPLAY for the Scandinavian audience on the 13th of June. I have composed all the music for the 8 episodes,...

Vitt Skräp (White Trash In English) Will After 7 Years Finally Be Released On Theatres In Sweden. I Composed The Music For This Movie...

What a year this have been, and much more will happen 2019 as it seems. Here are some of the highlights of the year as a Composer, Film...

Simon has just recently composed music for a Grabber (screws) film and Arne Thuresson Bygg that are the distributors (www.grabber.se)....

Simon is proud to present a Demo Reel. Thanks to Joel Forssell who created and edited the reel. Here’s the description of the video on...

At the old movie theatre Spånga Folkan in Stockholm Simon Kölle released the album “Drakar och Demoner: Trudvang – Soundtrack” the 8th of...

Support Simon’s effort to release the original soundtrack for Drakar och Demoner: Tronländaren and Giltes Bane. Simon is ready to do...

Things are happening rather rapidly for Simon that does hit his stride composing the scores for no less than two feature films the...

During the work with Drakar och Demoner – Tronländaren (Thronelander) Simon worked with no less than 40 musicians including a choir. In...