I'm happy to finally open the doors to theredfeather.se. The Red Feather began quite simply as a home for many of my own creative rights. After years of working across music, film, literature and other forms of storytelling, the catalogue had grown considerably. There were recordings, compositions, books, screenplays, films, plays and story worlds, sometimes closely connected and sometimes completely independent from one another. They needed somewhere to live, but also somewh

One thing has become increasingly clear to me during the first half of 2026. The most meaningful work rarely looks spectacular while you're doing it. Much of what has occupied my days hasn't been premieres or red carpets. Instead, it has been meetings, strategy, governance, writing, revisions, difficult decisions, investor material, story development and countless conversations about where we are actually heading. Looking back, I realize that's exactly what this period needed

By Simon Kölle 2025 began with a question I could not let go of. What happens when we stop pretending and start seeing things as they really are? That question shaped my study of Swedish cinema, my public writing, and the way we structured every creative and business decision this year. It guided FrameSage’s launch, the reboot of Tulpa Creatives, and even the way I returned to composing music. Not just as a service, but as something essential. I will never stop being a film c

Gothenburg Film Festival — Still the Best in Scandinavia Once again, Gothenburg Film Festival showed why it continues to be the leading...

2024 has been a transformative and rewarding year, filled with creativity, collaboration, and significant professional milestones. From...

These are my professional endeavours in 2023 In 2023, I had a dynamic year as CEO of Tulpa Creatives, working on six films and an...

Here is some information from some of the recent events... Filmbranschpodden Since the start of the Swedish Podcast Filmbranschpodden it...

In Swedish Filmbranschspodden - A part of acasting Dyk ner med oss till filmbranschens innersta kärna, där vi inte bara utforskar det vi...

During spring The Swedish Museum of Natural History (Naturhistoriska Riksmuseumet) commissioned several pieces of art from me. It’s with...

2022 was an eventful year where my two main areas of work continue to consist of composing music for moving images and producing film....

On November 2nd the movie Call of the Unseen was released in Scandinavia and quickly reached the number seven slot in the Swedish Drama...

The Swedish documentary "Det är vår tur nu" (It's our time now) has been released on SF Anytime. This feature documentary will gain...

The Feature Call of the Unseen, which I scored and was Executive Producer on, will be released in Scandinavia in November and also seen...

Det är vår tur nu is an important feature documentary about mental ill-health among young people. We follow the ambitious entrepreneurs...

The Music Documentary "Glam, Sweat & Tears" was created by Jovan Radomir and produced by me. It's all about the Swedish Glam Rock-scene...

As a Film Producer I work with overseeing development and execution of projects. In bigger projects I work alongside other producers or...

Summer is here and June is the month, starting it off strong with not one, not two but three premieres. All projects so vastly different....

The Score to “The Huntress” keeps on winning at award shows worldwide. It’s an honor to receive the prices and it fills me with...

I am working right now with composing the 8 episodes of the great TV-series Dystopia. Horror, Mystery and Drama combined in a genuinely...

Thanks 2019! It’s been awesome! I have been working on lots of inspiring, exciting and interesting projects with many great people this...